Touchosc and osculator how to#
Touchosc and osculator movie#
Touchosc and osculator Patch#
Touchosc and osculator upgrade#

Works with what the call UDP(User Datagram Protocol) packets. Open Sound Control is a protocol similar to MIDI that allows us to connect disparate programs. Once we go beyond the mouse, interacting with the computer becomes almost like a musical experience. Here we can see a quick video that will allow us to get an idea of the type of interaction we can add by connecting controllers beyond the mouse. 2:30: Assignment: create your own interface.

2:15: Applying what we have learned and extras.

Troubleshooting - Disconnecting with Midi.

1:45: Getting MIDI connected: Hello Midi World!.

Adding easing to the accelerometer - Example 5.

Working with the accelerometer - Example 4.

Method 1, Method 2, Method 3 - Examples 1, 2, 3.

1:15: Getting OSC connected: Hello Word!.

Working with Labels, Faders, Rotary, Push Buttons, Toggles, and XY.

0:15pm: What is OSC and what are its benefits.

0:15pm: Show some of my work and the Quill project (maybe opportunity to improve).

0:00pm: Introductions, look at a selection of examples and applications.

Get inspired or have a Processing sketch you would like to connect.

To get notified about future workshops and events feel free to sign up for my mailing list here: We will spend 2 hours reviewing setup, and the 3rd hour will be dedicated to working on your sketches and answering questions. Familiarity with Processing will definitely help, but isn’t necessary.

Touchosc and osculator how to#

In this workshop we will be learning how to connect your Processing sketches to TouchOSC iPad app, create custom TouchOSC interfaces, so that you can control multiple parameters in your Processing sketches.

Touchosc and osculator movie#

If you have a Chroma, you owe it to yourself to check out the Rhodes Chroma website and join the email list.Note to self: Show screen with QuickTime, New Movie Recording, and a Connected iOS Device. The screens show all editable parameters of the Rhodes Chroma.

Touchosc and osculator upgrade#

Note you do need the CC+ upgrade on your Chroma with MIDI set for Expanded Mode MCM. For OSCulator, you just need to open the template, click on the Settings icon and set it to use whatever MIDI out you plan to hook into your Chroma. For TouchOSC you just need to drop the mapping in the templates folder and sync to your iPad. The two templates in the share above are for TouchOSC and OSCulator. To translate these messages to MIDI CC you need something like OSCulator. TouchOSC only transmits Open Sound Control messages. One is for TouchOSC and one is for OSCulator.įor those new to TouchOSC and OSCulator, TouchOSC provides a JazzMutant Lemur-like control interface that is completely configurable. Update: see this post for an editor that does not require The Missing Link.įor The Missing Link you can find templates here. Below is a shot of the iPad on top of the Chroma. This video is not a performance and is only meant to show a little of what the Rhodes Chroma TouchOSC editor is capable of.' See the screens above for reference.

I then enable Wave B followed by applying various modulations to filter and pitch for both.

I then show Wave B is inactive by attempting to adjust its pitch which does nothing. In the beginning I adjust the pitch for Wave A which is active.

Touchosc and osculator Patch#

Īs for this video, the Chroma starts with an initialized patch which only has one 'Wave/Patch' active. There is too much to go into here, so check out the excellent Rhodes Chroma site for more. The routing is not fixed and is very flexible, meaning you can use modulation sources on B with A and vice versa. On the Chroma, each of two oscillators, Wave A and Wave B have corresponding filters, Filter A and Filter B, LFOs called Sweep A and B, and so on. On most you have two oscillators that are routed through a filter with shared modulation sources such as envelopes and LFOs. 'The Chroma has a slightly, conceptually different architecture than most analog poly synths.